A couple similar movements used in other sports would be the thrust in fencing and the jab in boxing. Paul McBeth provides a good example in this video by Jomez Productions. Go to the mark, and note how the motion of the disc is all straight forward- no arc, no sideways movement, even at the end.
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Like the push putt, an accurate and consistent pitch putt requires the player to keep the disc on a straight line from beginning to end release and follow-through. Unlike the push putt, the player typically starts the putt at knee-height or even lower and often maintains a straight arm and locked elbow throughout. Because of the low starting point the trajectory of a pitch putt is also almost always steeper low to high than a push putt, which especially for power putters can be almost flat.
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It is the most difficult, however, when it comes to achieving a reliable, consistent release point. Sure, some top pros have have had success with it Nate Doss and Steve Rico come to mind. Because when the wrist-flip supplies most of the power, the motion of the disc leading up to the release point follows an arc rather than a straight line.
He finishes by following through straight at the target after the disc is out of his hand, but the motion leading up to the release is clearly more of a rotational wrist-flicking nature.
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I know, sticking to this straight line while also generating sufficient spin is tricky. Stay tuned! You are commenting using your WordPress. You are commenting using your Google account. You are commenting using your Twitter account. You are commenting using your Facebook account. Notify me of new comments via email.
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Notify me of new posts via email. Skip to content I shared a key component to accurate and consistent putting in a recent post.
But non-routine putts call for the components to be mixed in different proportions. You'll experience Abbey Road like you never have before. About Scott Freiman Scott Freiman is a composer, a musician, and a software entrepreneur.
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Scott is the creator of Deconstructing The Beatles , a series of multimedia presentations about the composition and production techniques of the Fab Four. Freiman has presented his lectures to sold out audiences throughout North America at theaters, museums and corporations, such as Pixar, Google, and Facebook.
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Scott has also lectured at colleges and universities and has taught a part course at Yale University entitled The Beatles in The Studio. Scott Freiman is featured in seven Deconstructing the Beatles films currently showing in theatres and available on DVD and streaming.
Two new films deconstructing Abbey Road will be released in
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